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Frederic Chopin Raindrop Prelude Drop Shape Square Pillow
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Top Posts & Pages

The Power of Chopin's Prelude in E Minor, Op. 28 No. 4
Creating Magic: Debussy's Arabesque No. 1
The Selection: How to Pick Piano Repertoire to Increase Momentum and Avoid Frustration
Twinkling Possibilities: Performance Tips and Theory Tidbits for Mozart's 12 Variations on 'Ah vous dirai-je, Maman,' Part 1
Chopin’s Architecture: Phrase Structure in Chopin’s Waltz in B Minor, Op. 69 No. 2 for Composers, Performers, and Listeners

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I’m going through a tutorial/training for a potential side hustle doing Roman numeral analysis (fingers crossed — I could use the extra money and practice!) and realizing how rusty I am! But more importantly, this training reminded me that there are many different ways to look at just Roman numerals in music.

While reading sheet music is not a requirement for playing an instrument, learning to read traditional music notation opens up entire worlds of music for you to explore.

Music Theory Myth 3: You absolutely cannot use parallel fifths in any composition ever.

Picking how much and what music to learn at one time is an art and one of the biggest reasons why having a teacher is so helpful. Teachers have learned what works and can help you find repertoire you enjoy, that challenges you, and that doesn’t frustrate you.

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Top Posts & Pages

The Power of Chopin's Prelude in E Minor, Op. 28 No. 4
Creating Magic: Debussy's Arabesque No. 1
The Selection: How to Pick Piano Repertoire to Increase Momentum and Avoid Frustration
Twinkling Possibilities: Performance Tips and Theory Tidbits for Mozart's 12 Variations on 'Ah vous dirai-je, Maman,' Part 1
Chopin’s Architecture: Phrase Structure in Chopin’s Waltz in B Minor, Op. 69 No. 2 for Composers, Performers, and Listeners

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