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Category: Music Humor

Posted on July 15, 2018December 18, 2020

7 Ways to Identify Music Majors in the Wild

7 Ways to Identify Music Majors in the Wild | Girl in Blue Music

Although music majors aren't an entirely rare breed, they can easily be mixed up with others within their own species, the sleep-deprived college student. Noted by their sluggish behavior and small will to carry on, it's a wonder the species thrives enough to have so many classes within it. Today, we focus on seven key …

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Posted on June 28, 2018December 18, 2020

10 Ways to Become a Real Musician Right Meow

Musicians are a unique bunch. We spend a lot of time working hard, but that's not all we do! Here are ten ways to be a real musician that you may not have thought of! 1. Make the classics new. https://www.youtube.com/watch?v=hUzI3Ui1Eok John Cage is a 20th-century composer known for his style of taking away control …

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Posted on June 1, 2018December 18, 2020

How to Practice Like a Prodigy

Were you a child prodigy? Did you have to suffer through the same courses of practice and lessons as people obviously not as gifted as you? Then this post is for you! Presenting How to Practice Like a Prodigy: A guide for those incredible geniuses who only ever excelled at their craft. Play through your …

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Top Posts & Pages

  • The Power of Chopin's Prelude in E Minor, Op. 28 No. 4
  • Creating Magic: Debussy's Arabesque No. 1
  • Twinkling Possibilities: Performance Tips and Theory Tidbits for Mozart's 12 Variations on 'Ah vous dirai-je, Maman,' Part 1
  • The Selection: How to Pick Piano Repertoire to Increase Momentum and Avoid Frustration
  • Chopin’s Architecture: Phrase Structure in Chopin’s Waltz in B Minor, Op. 69 No. 2 for Composers, Performers, and Listeners

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Learning some graphic design skillz to make teaching online a little easier.
A traditional staff is made up of five parallel lines. We place notes on this staff to show specific pitches.
Music Theory Myth 6: Music theory is only a bunch of concepts that you learn out of context.
In this series, I’ve been talking about the principles of “Expert Memory.” Visit the guides tab to see the previous parts!

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Top Posts & Pages

  • The Power of Chopin's Prelude in E Minor, Op. 28 No. 4
  • Creating Magic: Debussy's Arabesque No. 1
  • Twinkling Possibilities: Performance Tips and Theory Tidbits for Mozart's 12 Variations on 'Ah vous dirai-je, Maman,' Part 1
  • The Selection: How to Pick Piano Repertoire to Increase Momentum and Avoid Frustration
  • Chopin’s Architecture: Phrase Structure in Chopin’s Waltz in B Minor, Op. 69 No. 2 for Composers, Performers, and Listeners
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